SEE: The Apple Developer Program: An insider’s guide (free PDF) (TechRepublic) iCloud synchronization ensures notes remain current across all your iOS devices, while numerous notebook covers and paper templates ensure you’re ready for a wide range of note-taking situations, including training sessions, classes, meetings, and when brainstorming. Apple Pencil integration is flawless, and an easily accessed stylus menu, which includes colors and pencil thickness, simplifies jotting down notes, drawing shapes, and creating diagrams. GoodNotes claims to make note-taking on an iPad as natural as writing on paper, and the app certainly comes close. Which app is best for you depends on your personal needs and preferences. In fact, the two apps own the number one and two spots, respectively, for most popular applications within the Productivity category. Notability and GoodNotes 5 are two of the leading note-taking applications in the Apple App Store. ICloud Usage Policy (TechRepublic Premium) Save more than $1,000 off a refurbished MacBook Air Must-read Apple coverageĪpple debuts new and enhanced watches, iPhones, AirPods Apple’s Notes program provides a range of features and functionality, as well as iCloud backup and synchronization, but third-party tools offer additional capabilities, including numerous templates, multiple import and export options, and shape-creating assistance. IPad users have many choices when it comes to taking, editing, and sharing notes.
Noteabilitypro how to#
Here's how to know which of these iOS note-taking apps is best for you. IOS note-taking apps are plentiful, but two stand apart-GoodNotes and Notability offer pros and cons. Notability: Which note-taking app is best on iOS? She is also a member of the interdisciplinary Noiseborder Ensemble and Slingshot-Kidõ USA, on faculty at the Casalmaggiore Festival Italy and Chetham’s International Summer School and Festival in Manchester UK. Megumi is Professor of piano and director of the New Music Ensemble and New Music Festival at Brandon University Canada. She has commissioned numerous new works and has premiered over 80 works worldwide. She frequently collaborates with composers, visual artists, writers and choreographers on interdisciplinary projects involving technologies to enhance the dynamic interaction between creator and performer. She specializes in exploring interactive possibilities of sound, image, text and movement in the creation and performance of piano+computer+multimedia works. Pianist Megumi Masaki’s innovation and breadth of her artistic activity, dynamic temperament and “riveting and mind-expanding” performances have earned her a reputation as a leading interpreter of contemporary music. He has received commissions from IRCAM (Paris), Ensemble Intercontemporain, Vancouver Symphony Orchestra,Windsor Symphony Orchestra, Vancouver New Music Ensemble, the Elektra Women’s Choir, musica intima, New Music Concerts (Toronto), Hammerhead Consort, Standing Wave, Hard Rubber Orchestra, as well as from outstanding performers such as flutist Robert Cram, bassoonist Jesse Read, clarinetists Jean-Guy Boisvert and François Houle, saxophonist Julia Nolan, trombonists Jeremy Berkman and Benny Sluchin, and pianists Douglas Finch, Jane Hayes, Megumi Masaki and Corey Hamm. His works have been performed by many of the finest soloists and ensembles both in Canada and abroad. Hamel writes both acoustic music and compositions that focus on interactions between live performers and computer-generated electronics. Keith Hamel a composer and Professor of Composition and Music Technology at the University of British Columbia in Vancouver, Canada. Ambrose explains: “I discovered new possibilities for harmony on the piano by developing a compositional method which combines external resonances with my own choice of colours.” Megumi is excited by her collaboration with Ambrose Field and we will present Frozen reflection, Sleeping Buffalo for piano and e-bows (electro-mechanical devices).
Noteabilitypro software#
We present the software and hardware environment we use for these works and discuss the challenges of working with live performers and interactive multimedia. In both of these compositions – Touch and Corona – the pianist is given the flexibility to perform freely, while the computer and all the responsive electroacoustic and video events are synchronized to the live performance using Hamel’s NoteAbilityPro music software. Megumi Masaki and Keith Hamel have collaborated on two interactive computer music compositions for piano, audio processing, computer-generated sound, gesture tracking and interactive video.
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